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・ Venus Flytrap (disambiguation)
・ Venus Flytrap (film)
・ Venus Flytrap (group)
・ Venus Flytrap (rock band)
・ Venus Flytrap (WKRP in Cincinnati)
・ Venus flytrap sea anemone
・ Venus fra Vestø
・ Venus Genetrix (sculpture)
・ Venus girdle
・ Venus Glacier
・ Venus Hum
・ Venus Hum (album)
・ Venus in Blue Jeans
・ Venus in Cancer
・ Venus in Copper
Venus in fiction
・ Venus in Fur
・ Venus in Fur (film)
・ Venus in Furs
・ Venus in Furs (1967 film)
・ Venus in Furs (1969 Dallamano film)
・ Venus in Furs (1969 Franco film)
・ Venus in Furs (1995 film)
・ Venus in Furs (disambiguation)
・ Venus in Furs (song)
・ Venus in India
・ Venus in Love
・ Venus in Overdrive
・ Venus In Situ Explorer
・ Venus in the Cloister


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Venus in fiction : ウィキペディア英語版
Venus in fiction
Fictional representations of Venus have existed since the 19th century. Its impenetrable cloud cover gave science fiction writers free rein to speculate on conditions at its surface; all the more so when early observations showed that not only was it very similar in size to Earth, it possessed a substantial atmosphere. Closer to the Sun than Earth, the planet was frequently depicted as warmer, but still habitable by humans.〔
〕 The genre reached its peak between the 1930s and 1950s, at a time when science had revealed some aspects of Venus, but not yet the harsh reality of its surface conditions.
==Swamp==
In 1918, chemist Svante Arrhenius, deciding that Venus' cloud cover was necessarily water, decreed in ''The Destinies of the Stars'' that "A very great part of the surface of Venus is no doubt covered with swamps" and compared Venus' humidity to the tropical rain forests of the Congo. Venus thus became, until the early 1960s, a place for science fiction writers to place all manner of unusual life forms, from quasi-dinosaurs to intelligent carnivorous plants. Comparisons often referred to Earth in the Carboniferous period.
In the 1930s, Edgar Rice Burroughs wrote the "sword-and-planet" style "Venus series," set on a fictionalized version of Venus known as Amtor. In Olaf Stapledon’s 1930 science fiction novel ''Last and First Men'', humanity is forced to migrate to Venus hundreds of millions of years in the future when astronomical calculations show that the Moon will soon spiral down to crash into Earth. Stapledon describes Venus as being mostly ocean and having fierce tropical storms. The Venus of Robert Heinlein's Future History series and Henry Kuttner's ''Fury'' resembled Arrhenius' vision of Venus. Ray Bradbury's short stories "The Long Rain" and "All Summer in a Day" also depicted Venus as a habitable planet with incessant rain. In Germany, the ''Perry Rhodan'' novels used the vision of Venus as a jungle world. Works such as C. S. Lewis's 1943 ''Perelandra'' and Isaac Asimov's 1954 ''Lucky Starr and the Oceans of Venus'' drew from a vision of a Cambrian-like Venus covered by a near-planet-wide ocean filled with exotic aquatic life.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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